BYE BYE TSUNAMI is a group of individuals who thrive in uncertainty and find delight in the entropy of noise. Based in Copenhagen, Denmark (while visiting our planet), the trio employs disrupted rhythms, unique self-built futuristic wind instruments, and heartbreaking cyborg screams to expand the musical language beyond its wildest horizons.

With their second EP, Eating, the band promises massive meth-metal beats, dehumanized hopeless voices, eclectic noisy influences, glitchy electronics, and various other innovative elements, all appropriately complimented with exclusive artwork created by illustrator Frances Lili Farmer. The futuristic perspectives and hidden mystical layers contained within this peculiar narrative explore a realm of absurd hypothetical faraway planets, weaving a subtle double meaning that surprisingly mirrors the realities and issues of our times.

In this work BYE BYE TSUNAMI delves deeper into their distinctive sound signature anchored by the Flaubosax. By generating new soundscapes through a personal asymmetrical tonal system and intertwining them with intricate and powerful drum rhythms, they guide the music through disrupted forms and post-industrial spiritual textures. In a collaborative endeavor for this project, the band has joined forces with other avant-garde artists proficient in vocals, guitar, electronics, and visual arts. This synergy of talents results in a truly unique audiovisual package, setting the stage for a captivating and boundary-pushing musical experience.

Embodied by Nathan L. (flaubosax, flute, electronics), Søren Høi (drums), and Uldis Vitol (bass), BYE BYE TSUNAMI infuses guest guitar from Manlio Maresca on one song, and guest vocals from the likes of Sigurd Neimann, Francesco Colocci, Neker, and Sabiwa throughout the record. Eating was mixed and mastered by Marco Colocci and features art by Frances Lili Farmer, completed with design and layout by Yunyen Chuang.

The group reveals, “On the planet WU無, human infants are intentionally bred to represent power within a select circle of elite Dog-God oligarchs. These influential figures participate in public esoteric rituals, providing entertainment for the drug-controlled baby boomer population. A scarce minority, opting not to entirely adhere to societal norms, move discreetly in the guise of mannequins. Identified solely by their unique trait, these individuals can emit a potent rainbow laser beam from their buttocks. Now awakening, they arm themselves with the goal of fulfilling the Tsunami prophecy, aiming to reclaim access to the elusive fruits of control.”

The first course from the EP reaches the population through a video filmed and directed by Yunyen Chuang for its title track, the band noting, “With the incredible collaboration of Manlio Maresca on guitar and Sigurd Neimann on vocals, ‘Eating’ is a visceral complaint about all the challenges we are forced to endure every day for the rest of our lives.”